Vassar Today

Turns Out, Vassar Is A Media Darling

Graphic text header reading "TURNS OUT, VASSAR IS A MEDIA Darling" in black serif font and red cursive script.
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hat do Marilyn Monroe, Mayim Bialik, and Lisa Simpson have in common? They all speak reverently of Vassar—at least on screen, that is.

For 100 years and counting, the College has served as a setting, a character attribute, and even a laugh-out-loud punchline for numerous movies and television shows—from the silent films of the 1920s to the TV sitcoms of today. And thanks to an amazing gift from David Ezer ’95, many of these segments can now be viewed on the new Vassar on Screen website at vassar-on-screen.vassar.edu.

In the more than 400 clips amassed so far—drawn from over 300 films, television series, radio programs, operas, podcasts, video games, songs, and musical theater shows—viewers can see Vassar turned into the fictional Essex College for the recent HBO Max series The Sex Lives of College Girls; hear it name-dropped repeatedly as the alma mater of “Dharma” on the ABC ’90s sitcom Dharma and Greg; and watch a very capable young astronaut dispatch a pair of villains with a few well-placed punches and judo flips in the 1979 film Moonraker. (An astonished James Bond, played by Roger Moore, asks, “Where did you learn to fight like that, NASA?” The astronaut, played by Lois Chiles, replies, “No, Vassar!”)

A man and woman walk across the Vassar College campus at night in a scene from the film "The Sex Lives of College Girls."
A scene from HBO’s The Sex Lives of College Girls, filmed on campus.

Courtesy of HBO

So how did Ezer, a nonprofit event planner who majored in music, come by this amazing collection? He gathered it piece by piece, as “a fun pastime,” starting soon after he graduated. “Vassar had this very iconic kind of status in the way it was being used in or referenced in popular culture,” Ezer recalled. “It was always a nice element about being there. You know, it was a place that actually had some cultural resonance in a way that few other colleges do. And it was more than just a marker of, hey, it’s a good school, as you would get for Harvard or Yale, which show up in lots of media but not necessarily in a way that’s very specific to them.”

Ezer and his spouse, Vassar classmate Sara Bensman ’95, would look out for College mentions and then add them to their Blogspot page in the early 2000s. “There were times when my obsessiveness was too much, and I would watch many episodes of a particular show to find a reference,” said Ezer. “I did that with Dharma and Greg, because that’s one where there’s a character who went [to the College], and it was a big part of her character, and it was clearly going to be in a bunch of episodes.” Of course, without the type of search capabilities now available for subtitles or quotes, this took considerable time. “You really had no way to do it except watch, and that was fun,” Ezer said. “They talk about tea in the Rose Parlor, things that are actually very specific.”

Animation from The Simpsons showing the back of a red car with a "VASSAR" window decal and a Springfield license plate.
In Season 15 of The Simpsons (2013), Lisa looks forward to welcoming her new teacher, a Vassar grad.

Courtesy of Fox Networks

open quote
Vassar had this very iconic kind of status in the way it was being used in or referenced in popular culture. It was a place that actually had some cultural resonance in a way that few other colleges do …”
DAVID EZER ’95
As word of the blog spread, Ezer began receiving referrals from other alums. But eventually, the project outgrew Blogspot, and Ezer did not feel up to building and maintaining a website for the collection. So he approached his alma mater about making the gift and was received enthusiastically. “I was so pleased they wanted to really run with it and make it a pedagogical tool, and maintain the integrity of the collection,” he said.

Associate Professor and Chair of Film Erica Stein said the department was thrilled to receive the collection and has been working for over a year to build the Vassar on Screen site into the fully functional destination it is now—a resource that she sees as more than just a fun repository of trivia. In fact, there are many ways she envisions using the archive in class.

“We often teach filmmaking classes that focus on editing, and usually you buy a package of footage that the students can use to practice different editing techniques, but it tends to be really kind of anonymous stuff,” Stein said. “This enables us to have our own specific set for demonstrating reels, which is an important technique—to be able to put clips together end to end.”

Taken as a whole, the archive can also be useful in theoretical discussion, Stein said. “I think it concretizes something that a lot of people know intuitively, but that is really hard to pin down, which is the way that media creates and fixes cultural memory and the identity and meaning and persona of institutions, people, and places,” she explained. “You can say that, and I think students often feel it, but it’s something that’s actually hard to prove. This is an example where you can see it over the years, and you can also see meanings shift. You can see the public identity shift.”

A smiling woman in a red shirt and a man in a green pinstripe shirt and glasses posing for a portrait.
The donated collection started as a “fun pastime” by David Ezer and spouse Sara Bensman, both ’95.

Courtesy of the subjects

The collection will also be useful to historical associations and even scientists, said Stein. “It’s historical footage, right? Even if we don’t necessarily think of, say, The Four Seasons, the Netflix series (featuring Tina Fey and Steven Carell) that just shot on campus last year, as a great historical document, if you’re a climate scientist or if you’re an architectural historian, and you want to know what a place looked like at a given time and moment, this is a really good way to access that.”

Theo Rollet ’29 works with Film Department Administrative Assistant Peter Rednour to input metadata on the site and help with quality control. “It’s great to be able to contribute to the preservation of Vassar’s history and explore the many footprints it has left on the film world over the years,” Rollet said. “I love that I get to discover material from different eras, all somehow linked to the place and community I’m in now. It has really opened my eyes to just how far-reaching Vassar College’s influence is and just how much that name means.”

Rollet is not the only one authorized to work on the collection. Just in case Ezer misses his old pastime, there’s a ready fix: “David also has back-end access to the site,” said Stein, “so if he finds new clips, he can add them.” Others who wish to submit new finds should email the Film Department at film@vassar.edu.—Kimberly Schaye

Live From New York …It’s the “Vassar Coed”!

One of the gems tucked away in the newly available Vassar on Screen archive is a compilation of clips from the November 19, 1977, episode of Saturday Night Live, featuring Connie Crawford ’81, then a first-year student newly arrived on campus. A self-described super-fan of the show back in those days (with a big crush on SNL cast member Dan Aykroyd), Crawford entered SNL’s first and only “Anyone Can Host” contest and was one of five people chosen from the 150,000 nationwide entrants.

The five finalists—including the governor of South Dakota—were brought to New York City to appear on an episode of the show, hosted by Buck Henry, so the audience could decide who would return to host a full show on their own. Though a different contestant was chosen for that honor, Crawford had an absolute blast as a cast member for a day. She appeared in several skits as herself throughout the program, always being referred to as “the Vassar coed” or simply “the coed.” Sharing the stage with some of the most beloved comedians of the day, the unknown 18-year-old held her own with amazing aplomb.

Many years later, Crawford—who now teaches acting and directing at Brown University—recalled the surprising kindness of John Belushi, the effortless cool of Laraine Newman, and, at last, a chance to meet Aykroyd. She also remembered how thrilled everyone at the College was to see her realize her dream. “It brought a lot of excitement to everybody at Vassar,” Crawford said during a 2023 appearance on the SNL Stories podcast. “It was a big deal to the community.” Crawford also noted that she has not herself ever watched her performance, preferring simply to enjoy the memory “as the fun it was.” But you can by visiting the 1970s Film/Television section at vassar-on-screen.vassar.edu..

Crawford, left, with SNL host Buck Henry.
A woman in a blue "B" cardigan being interviewed in a classic Saturday Night Live sketch about Vassar College.
Courtesy of NBC.